Mrs. Matthews Novello, English, 11th Grade

Course Description

We will cover the curriculum standards: exploring grammar, literature, informal and informative texts. My expectation is that you will participate in your learning process with curiosity and authenticity. I will lead the class in instruction and lecture, we will also participate in group work and discussion, partner work, independent seat work, and project-based learning exercises. In various units, there will be an opportunity for student-led discussion and individual assignments to demonstrate understanding. Students will have the opportunity for self-assessment as well as for teacher guidance and assessment throughout the course. 

The materials include texts that are high quality and engaging, and provide students opportunities to work with texts at the appropriate level of rigor with depth and complexity. Questions and tasks students work with are consistently linked to texts and provide ongoing practice in grade-level reading, writing, speaking and listening, and language. Throughout the units of study, students are exposed to a variety of texts that assist students in answering the unit’s Essential Question. This challenges the traditional use of text in specific grades and allows students to be exposed to a variety of subjects and themes. Genres include memoirs, blog posts, essays, short stories, novel excerpts, news articles, poems, and drama. r

Posts

April 8-May

 

Unit & Timeline

Independent Reading Prokject

Activity 

Colorado Standards 

April 8 

- Selecting novels for independent reading 

RL.11-12.10: Read and comprehend literature proficiently. 

 

 

SL.11-12.1: Participate effectively in discussions. 

April 11-15 

- Setting reading goals and timelines 

RL.11-12.1: Cite textual evidence for analysis. 

 

 

RL.11-12.2: Determine themes and analyze development. 

April 18-22 

- Reading assigned novels independently 

RL.11-12.3: Analyze author's choices in development. 

 

 

RL.11-12.4: Determine word meanings and connotations. 

April 25-29 

- Analyzing character development and themes 

RL.11-12.2: Analyze themes and their development. 

 

 

RL.11-12.6: Analyze point of view in a text. 

May 2-6 

- Tracking literary devices and author's style 

RL.11-12.3: Analyze author's choices in development. 

 

 

W.11-12.5: Strengthen writing through revision. 

May 9-13 

- Conducting research on relevant background information 

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May 16-20 

- Writing critical analysis of the novels 

RL.11-12.9: Draw evidence to support analysis. 

 

 

RL.11-12.10: Write routinely over extended time. 

May 23-24 

- Presenting findings to the class 

SL.11-12.1: Participate effectively in discussions. 

 

 

RL.11-12.1: Cite textual evidence for analysis. 

Throughout 

- Peer feedback and revision 

W.11-12.5: Strengthen writing through revision. 

 

 

SL.11-12.1: Participate effectively in discussions. 

 

 

RL.11-12.9: Draw evidence to support analysis. 

Throughout 

- Finalizing projects and reflections 

RL.11-12.10: Read and comprehend literature proficiently. 

 

 

W.11-12.5: Strengthen writing through revision. 

 

 

SL.11-12.1: Participate effectively in discussions. 

Throughout 

- Individualized conferences with the teacher 

RL.11-12.10: Read and comprehend literature proficiently. 

 

 

SL.11-12.1: Participate effectively in discussions. 

January 8-February 20th

 

Unit & Timeline

Objectives/Standards

Materials

Catcher in the Rye Novel Study

5-6 weeks

CCSSRL.11-12.1

Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.

CCSSRL.11-12.2

Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text.

CCSSRL.11-12.3

Analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed).

CCSSRL.11-12.4

Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the impact of specific word choices on meaning and tone, including words with multiple meanings or language that is particularly fresh, engaging, or beautiful.

CCSSRL.11-12.7

Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text.

CCSSRL.11-12.9

Demonstrate knowledge of eighteenth-, nineteenth- and early-twentieth-century foundational works of American literature, including how two or more texts from the same period treat similar themes or topics.

CCSSRL.11-12.10

By the end of grade 11, read and comprehend literature, including stories, dramas, and poems, in the grades 11-CCR text complexity band proficiently, with scaffolding as needed at the high end of the range.By the end of grade 12, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 11-CCR text complexity band independently and proficiently.

CCSSW.9-10.1

Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.

CCSSW.9-10.9

Draw evidence from literary or informational texts to support analysis, reflection, and research.

CCSSW.11-12.1

Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.

CCSSSL.9-10.1

Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9–10 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.

CCSSSL.9-10.4

Present information, findings, and supporting evidence clearly, concisely, and logically such that listeners can follow the line of reasoning and the organization, development, substance, and style are appropriate to purpose, audience, and task.

 

-       Catcher in the Rye by JD Salinger

-       Laptop, always

-       Pencil/pen

 

 

 

November 27-December 8

Final Project Guidelines

Objectives we are to address through this final:

  • Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience.
  • Use narrative techniques, such as dialogue, pacing, description, reflection, and multiple plot lines, to develop experiences, events, and/or characters.
  • Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate
  • Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone).

Process:

After receiving this instruction, you will have 4 class periods to complete this, then outside of the class you will need to complete it on your own.

Instructions:

  1. There will be three areas of focus, all are important but you only need to choose one as you write your scene.

Character Development    -    Theme and Central Idea Development   -  Stage Directions and Narrative Intent

  1. Keeping one of these in mind, how will you write your scene?
    To propel the plot line? Will Stella leave Stanley?
    To develop the characters? Will Kate Keller move through Joe’s death by suicide and gain power of their wealth to do good?
    Is it your own imagining? That are conveyed through the italic narration of stage direction and set up description of the characters?

  2. You may write your scene in word or use an online screen writing app, there are many free ones but not without creating an account through them first – that’s up to you. If you are writing in Microsoft word, the margins are as follows:

Open Microsoft Word and click "File" and "New" to create a blank document. Save this document with a title that you and others will easily recognize as your play.

 

Center the text and hit the "Enter" key until you have moved the cursor down about 3.5 inches. Type the title of the play in all caps, go down the page two spaces and type "by," then two more spaces and type your name. In the lower right-hand corner of the page, put your contact information, minus your name.

 

Hit "Enter" until you are on the next page. This will be the first page of your script. This page--and the pages after it--need to have page numbers. At this point, you have to decide if you want to have the act number with the page number, or just the page number by itself. If you want only the page number, go to "Insert" and "Page Numbers." If you would like to number each act, go to "View" and "Headers and Footers" and have Word add "Act I" (note the Roman numerals) to the top of the page. You will have to adjust this when you get to Act II, and so on.

 

Set the margins for your document. The top, bottom and right margins should all be set to 1 inch. Set the left margin to 1.5 inches.

 

The different elements of your script (characters, dialog, stage directions, etc.) are all placed differently on the page, but they follow a standard format that you can save as a template. To begin an act and a scene, center your text and type the name of the act and underline it (all in caps). Enter down two spaces and type the scene name using the same format. Use Roman numerals for the act names and Arabic numerals for the scene names.

 

When it is time for a character to speak (or perform an action), you type the character's name in all caps, centered on the page.

 

On the line directly below the character's name, you will begin to type the dialog he is speaking, or the action he is performing. If you are typing dialog, begin all the way at the left margin, which is set to 1.5 inches. Also, dialog has no special right margin, only the 1-inch margin you set at the beginning.

 

Type your stage directions in parenthesis, 2.75 inches from the left side of the page. Stage directions go for 2.5 inches before wrapping, so that it makes a nice little centered paragraph on your page. (https://penandthepad.com/format-stage-play-microsoft-word-4505704.html)

Product:

[30pts.] A 2-3 page scene. This scene can be written as a supplement to one of our previous plays, or it could be one of your own creation. (keep in mind the scene on it’s own may have difficulty standing on it’s own without proper elaboration of character or stage direction of character descriptions)

 

[30 pts.] A 5 question quiz. You will create 5 multiple choice questions (and answers) for everyone who reads your play to answer. Think level 2 and 3 questions! This can be on paper or a through kahoot. These questions should address the following,

  • author’s intent (your purpose)
  • character development
  • understanding of theme development through the scene

If you need assistance writing these questions PLEASE ask me, I’m here to help you!

 

[20 pts.] Guidance of Reading. When your play and questions are complete you will upload them to teams and I will print them out for the class. You will guide the class through your scene and then they will answer the questions. Each reading/quiz will last 15-20 minutes. In this time the scene must be read and the quiz taken then gone over.

[20 pts.] Punctuation and Presence. You are both a playwright and an audience member. You must be timely in turning your work in/communicate to me any difficulty you are having that prevents you from doing so. You must also be respectful of others while they are presenting.

 

Presentation:

Next week will be all about presenting. We will read your scene aloud, if you want to assign parts ahead of time, be my guest!

October 30-November 9

 

Unit & Timeline

Objectives

Materials

American Drama, Tennessee Williams

 

2 Weeks

CCSSRL.11-12.1

Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text, including determining where the text leaves matters uncertain.

CCSSRL.11-12.2

Determine two or more themes or central ideas of a text and analyze their development over the course of the text, including how they interact and build on one another to produce a complex account; provide an objective summary of the text.

CCSSRL.11-12.7

Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text.

CCSSRL.11-12.10

By the end of grade 11, read and comprehend literature, including stories, dramas, and poems, in the grades 11-CCR text complexity band proficiently, with scaffolding as needed at the high end of the range.By the end of grade 12, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 11-CCR text complexity band independently and proficiently.

CCSSW.11-12.10

Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences.

 

 

-       A Streetcar Named Desire

-       The Glass Menagerie

Week of October 23

 

Monday

Tuesday

Wednesday

Thursday

The Glass Menagerie Scene 7 Questions

The Glass Menagerie Play, Identify the difference between delivery and reflect on stage directions in action

The Glass Menagerie Play, Identify the difference between delivery and reflect on stage directions in action

Streetcar Named Desire, identify the historical influence of landmarks in New Orleans to determine their significance in the story

Week of October 16

 

Monday 

Tuesday 

Wednesday 

Thursday 

The Glass Menagerie  

Read, Scene 1  

Analysis Questions  

The Glass Menagerie  

Read, Scene 2-3 

Analysis Questions 

The Glass Menagerie  

Read, Scene 4-5 

Analysis Questions 

The Glass Menagerie  

Read, Scene 6-7 

Character Investigation 

Week of September 25

 

Monday

Tuesday

Wednesday

Thursday

Tennessee Williams Biography and Background

The Glass Menagerie Symbolism of the Animals – Project

TGM – Character Introduction

TGM – Symbolism & Themes

Week of September 18

English 11

Monday

Tuesday

Wednesday

Thursday

Death of A Salesman

Act 2 Questions

Death of A Salesman

Essay – 3 Choice Prompts (Due Friday)

Death of A Salesman

Act 2 Play Watch

Death of A Salesman

Act 2 Play Watch/Essay

Week of September 11th

 

Monday 

Tuesday 

Wednesday 

Thursday 

Death of A Salesman Theme and Plot Analysis  

Act 2 

Death of a Salesman 

Act 2  

Character Analysis and Questions 

Death of a Salesman Act 3  

Stealing Motif Assignment 

Death of a Salesman Wrap-Up Act 3 

Week of September 4

 

Monday 

Tuesday 

Wednesday 

Thursday 

no school

Death of A Salesman Act 1 Questions 

Death of a Salesman Act 2 Finish – Questions and Analysis 

Death of a Salesman Analysis  

Week of August 28th

 

Monday

Tuesday

Wednesday

Thursday

All My Sons Play Viewing

All My Sons Play Viewing

Death of a Salesman

Act 1 Questions

 

Death of a Salesman

Act 1 Questions Review

Week of August 21

 

Monday 

Tuesday 

Wednesday 

Thursday 

All My Sons  

Finish Act 1  

Act 1 Questions 

Arthur Miller Research Worksheet 

All My Sons 

Act 2 Reading 

All My Sons 

Act 3 Reading 

Questions 

 

 

Monday

Tuesday

Wednesday

Thursday

Review Syllabus and Class expectations

Drama Elements Poweproint and Lecture

Drama Elements – Arthur Miller Background – Start All My Sons

Art Museum Field Trip